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  1. Apr 27,  · View credits, reviews, tracks and shop for the CD release of Alive! on Discogs. Label: Mercury - • Format: 2x, CD Remastered • Country: Germany • Genre: Rock • Style: Hard Rock, Glam/5(31).
  2. View credits, reviews, tracks and shop for the CD release of Alive! on Discogs. Label: Casablanca - M-2 • Format: 2x, CD Album, Reissue • Country: Germany • Genre: Rock • Style: Hard Rock, Glam.
  3. Alive! was the album that catapulted Kiss from cult attraction to mega-superstars. It was their first Top Ten album, remaining on the charts for weeks.9/
  4. " Firehouse " is a song by American hard rock band Kiss, released in on their eponymous debut album. The track was written by the bands' rhythm guitarist and vocalist Paul Stanley. During live performances, bassist Gene Simmons has breathed fire, with red lights flashing and sirens biacelgoatrogifos.draditalcudlerasorelolensiri.co: Casablanca.
  5. Find Firehouse discography, albums and singles on AllMusic. Hard rock band who came to prominence at the tail end of the pop-metal explosion of the late '80s and early '90s.
  6. Kiss - Alive download free. Label: Casablanca ‎– Type: 2 x Vinyl, LP, Album, Reissue Country: Germany Date of released: Category: Rock Style: Hard Rock Download.
  7. Alive! is the first live album, and fourth overall, by American hard rock band biacelgoatrogifos.draditalcudlerasorelolensiri.co is considered to be their breakthrough and a landmark for live albums. Released on September 10, , the double-disc set contains live versions of selected tracks from their first three studio albums, Kiss, Hotter Than Hell and Dressed to biacelgoatrogifos.draditalcudlerasorelolensiri.co was recorded at concerts in Detroit, Michigan; Cleveland.
  8. Jul 18,  · Unfortunately, this live CD doesn't live up to Firehouse's usual standards for pristine production (witness Good Acoustics, Category 5 or 02, for example). I know guitarist Bill Leverty was going for a more ambient, audience-fueled recording, but I prefer live albums that showcase the band's performance rather than the audience's response to it/5(11).

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